Meet the Artists

CTRL_CD fuses code, culture, and creativity into striking visual worlds. Their imagery balances structure and abstraction—melding architectural precision, cinematic light, and digital glitches into forms that feel both engineered and alive. Each work is a prototype for new aesthetic futures, where machine logic meets human imagination.

Laura Buechner’s practice imagines bodies in flux—slipping between human, machine, animal, and synthetic. Her sleek, tightly composed visuals are instantly recognizable: glassy surfaces, translucent skins, and glitch-like garments that recast the body as a site of mutation. Obscured faces and speculative prosthetics transform identity into something unstable yet intentional, balancing allure and unease in equal measure.

Serifa is an artist duo working with AI to produce haunting, grainy dreamscapes that feel at once intimate and uncanny. Their imagery evokes states of memory and reverie, where figures and environments dissolve into spectral presence. By embracing ambiguity, Serifa opens a poetic space between recognition and disappearance, inviting viewers to dwell in the subconscious textures of AI imagination.

Veronika Pell is a multidisciplinary artist based in Helsinki, working with AI under the pseudonym Mindeye. Her practice includes video art, digital series, installation, and sound. She creates immersive, perceptual visual environments—spaces where dreamlike imagery, synthetic forms, and emotional tension merge the natural and the artificial. As Mindeye, she “grows” images through generative models, shaping visuals that feel unstable, shifting, and self-aware. Her work often explores transformation, collapse, and intangible forces through theatrical, poetic aesthetics.

VIXY’s series NoSignal explores the friction and fusion of the natural and the artificial. Metallic flowers and hybrid forms do not mimic life but reimagine it, rewriting nature’s codes under new laws. In this post-organic ecosystem, petals respond not to sun or water but to electric pulses and algorithms. The mechanical, in turn, takes on a symbolic, almost spiritual aura as it generates forms that evoke the living. NoSignal is less a juxtaposition than a manifesto: a vision of transformation where biology and technology dissolve into one another, opening a third space—unfamiliar, disruptive, and unmistakably of our time.

Infrarouge creates images that pulse with post-apocalyptic intensity—visions where chaos, desire, and identity collapse into iridescent hallucinations. His work reflects a generational condition: the dull void of scrolling past catastrophe into pop distraction, where the extremes of reality blur into a single, dissonant hum. In this mirror-maze of the self, fractured personas and unstable egos point to a deeper cultural truth: that collapse is inseparable from the possibility of transformation.

Dullia is a French artist who uses AI to reframe traditions of materiality, craftsmanship, and imagination. Her series RITUALL explores movement, light, and fabric as bodies in motion leave traces and settle into shared rhythm—gestures that can read as ritual, celebration, or invention. In this fusion, textures become both speculative and familiar, grounded in collective visual memory yet opening onto new ways of seeing.

Dariusz Palarczyk works under the moniker Circus of Artifice, crafting kaleidoscopic AI imagery that fuses vivid color, surreal composition, and emotional resonance. In Dreamhorse, a white horse stands in a lush synthetic field—its symbolism of freedom and spirit reframed within an algorithmic dream. The work probes authenticity in the age of artifice, asking whether machine-made visions can still stir human feeling, and to what extent our inner worlds are now co-authored with code.

FBX reconfigures pop culture through AI remix—deliciously ironic compositions rendered in saccharine palettes of bubblegum pinks and synthetic neon. His work embraces excess and spectacle, reframing familiar cultural icons into playful, hyper-artificial worlds. Perfectly pitched between critique and celebration, Parallel’s practice amplifies the pleasures and absurdities of visual culture in the algorithmic age.